Lost in the Trees
Neither Here Nor ThereA Church That Fits Our Needs 2012 via ANTI Records
There are two versions of "Close to Me", one with a brass section and one without. The version without the brass section is the original album version on The Head on the Door while the version with brass instruments is a remix that was released as a single and appears on Staring at the Sea: the Singles and Greatest Hits.
1997: The title of the album is taken from the philosophical novel Sophie's World by Jostein Gaarder, the context being: “Only philosophers embark on this perilous expedition to the outermost reaches of language and existence. Some of them fall off, but others cling on desperately and yell at the people nestling deep in the snug softness, stuffing themselves with delicious food and drink. 'Ladies and Gentlemen,' they yell, 'we are floating in space!' But none of the people down there care.†The album itself was written shortly after the breakup of Spiritualized's Jason Pierce and Kate Radley, the band's keyboard player. Radley had secretly married Richard Ashcroft of The Verve in 1995
1997: Spin magazine ranked Either/or at #48 on their list of the best albums of the last 25 years
It is based on music from an Andrew Loog Oldham adaptation of a Rolling Stones song, "The Last Time", and involved some legal controversy surrounding plagiarism charges.
1997: Perfect from Now On is the third full-length album released by Built to Spill, and the band's first major label (Warner Bros.) release. The line-up for the album was singer/guitarist Doug Martsch, bassist Brett Nelson, and drummer Scott Plouf. It was recorded at the Avast! Recording Company in Seattle, Washington by Phil Ek. Stylistically, the album was marked by its experimentation with longer song structures, philosophical lyrics, and the incorporation of cello.
The Mollusk is the sixth full-length album by Ween. It was released on Elektra Records on June 24, 1997. It is a partial concept album, with nearly every song containing a dark nautical theme.
1997: OK Computer received considerable acclaim upon release. Prominent British and American rock critics predicted the album would have far-reaching cultural impact. In subsequent years, the album has been frequently cited by listeners, critics and musicians as one of the greatest of its time. OK Computer initiated a shift away the popular Britpop genre of the time to the more melancholic and atmospheric style of alternative rock that would be prevalent in the next decade