Gal Costa
Lagrimas NegrasCantar 1974 via Universal Music International Ltda.
Final Floor is eleven new tracks featuring saxophonist Kamasi Washington and trumpeter Erik Jekabson with longtime collaborators and songwriters Matt Montgomery and Gregory Howe. Joining them are Mike Hughes on drums, Kasey Knudsen on Alto Saxophone, Ross Howe on Fender Guitar and Mike Blankenship on organ. As the title indicates, this album represents the final original recordings of Throttle Elevator Music. Final Floor has an upscale energy with elements of rock and punk that fuel the overall sound and dynamically bring an edge back to jazz.
Arriving nearly eight years after the Spike Jonze film, the score will be available on streaming, vinyl, and cassette - released 3/19
Skegss are an Australian surf music and garage rock trio originally from Byron Bay, New South Wales.
side a of a 7" from the Chicago rock trio of Penelope Lowenstein, Nora Cheng, and Gigi ReeceThe physical release is out April 2.
‘Return/W.A.R’ is the explosive double release from south-east London’s rising contemporary soul and funk purveyor Joel Culpepper. The double single from his long-awaited forthcoming debut album ‘Sgt Culpepper’, release 1/11/21
w/ William Tyler -- Instrumental guitar wizards Marisa Anderson and William Tyler are teaming up for a collaborative album called Lost Futures. The album is named after writer Mark Fisher’s idea that contemporary culture is haunted by “lost futures†that never came to be. “For every choice made, every path taken, there are multitudes of choices not made, paths not taken,†Anderson explains. Lost Futures is out 8/27
"Transition East" features two new pieces of music created by Angel Bat Dawid in response to Emma Warren's 2019 book "Make Some Space" – i.e. the book that chronicles the history of London DIY music institution Total Refreshment Centre. Angel Bat Dawid, who first met Emma Warren at Total Refreshment Centre in 2017, composed & recorded "Transition East" alone in her space on the Southside of Chicago, originally to be accompaniment for the audiobook version of "Make Some Space." Angel conceptualized & named the song in commemoration of the storied Chicago community center that was a hub for the AACM and icons from the Black Arts Movement in the 1960s, and was recently revived by one of her mentors, Eliel Sherman Storey.