LONELADY

Nerve Up

2010-03-26

Hailing from Manchester, England is newcomer Lonelady (aka Julie Campbell.) With a sound inspired from a plethora of places, including the post-punk scene of her hometown, Lonelady manages to capture a sound largely categorized as synth laced pop-rock with some guitar thrown in as well. She first began making waves with her debut single, “Hi Ho Bastard/Fear No More” (released June 2005). This was followed that October with the “Have No Past” EP. LoneLady’s first show outside Manchester was at 2006’s SXSW festival in Texas - where she was invited to play on the strength of these 4-track recordings. Billboard listed LoneLady as one of their ‘Ones to watch’ in their SXSW 2007 preview feature. LoneLady signed to Warp Records in 2009 and now we have "Nerve Up" - her first full-length release. Quite noticeable throughout is the guitar work that manages to bring back memories of the early B-52's. This is especially notable on the track "Intuition" that combines the biting vocals of Campbell with an overall catchy beat. The opener, "If Not Now" is also worth a few spins as Cambell's somewhat unique voice immediately comes to the forefront. The title track "Nerve Up" incorporates a drum-machine and an attitude from Lonelady that makes for a really good song. Another track that especially stands out here is the beautiful "Marble" with its electro-pop feel and reverb effects. In the end, while the guitars and the same overall sound can be a bit tiresome, the debut of Lonelady is pretty good as Campbell recaptures a sound from the past and makes it relevant for today's music scene! ~ Reviewed by Jeff Bouma

Quick Links:

More reviews tagged #Rock

  • reviewed 05/2014

    KINA GRANNIS
    Elements

  • reviewed 12/2010

    THE AUTUMN DEFENSE
    Once Around

  • reviewed 03/2009

    DOVES
    Kingdom of Rust

  • reviewed 05/2007

    THE DETROIT COBRAS
    TIED AND TRUE

  • reviewed 08/2011

    SHELBY LYNNE
    REVELATION ROAD

  • reviewed 06/2006

    Jeb Loy Nichols
    Now Then

Compiled by the WYCE Journalism Club

The opinions expressed in these reviews are those of the individual volunteers that submitted the article and do not necessarily reflect the views of WYCE or GRCMC; nor its staff, donors, or affiliates.