2008-10-06
Meaty, invigorating blues/ jazz infused rock. There is great interaction between the different saxophones, bass, and percussion in particular; other guitar, flute, and vocals flesh out the already strong performances. Tracks are hook laden and groove from first through last. Saxophones are very smooth on the opener “Feeling Numb”, really get busy on the following “More Money”, then heavier push on “Dream Girl” (Track #3) a swanky tune about a movie starlet. “Let Me In” (Track #6) is a soft ballad. Album finishes strong with sassy “Woooh Me” (Track #9) and groovy, rollicking “Come To Daddy” (Track #10). - Michael Loffelman
PHOENIX
It's Never Been Like That
CHANCE JONES
The Incident at Primrose and West
Air
Pocket Symphony
The Lake Effects
Ioway
THE BIRD & THE BEE
Interpreting the Masters, Volume 1: A Tribute to Daryl Hall and John Oates
KRISTIN HERSCH
Learn To Sing Like A Star
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