2011-03-14
Smith Westerns made their first album on the computer at home, in Chicago. By all accounts, the result was decidedly garage-y. For Smith Westerns’ second album, “Dye It Blonde”, they were backed by Fat Possum Records, they used a professional studio, and they had a professional producer in Chris Coady (Yeah, Yeah, Yeahs and TV on the Radio). All this boils down to a more slickly layered production. The thing I saw repeated over and over in my research on this band was a comparison to TRex. I don’t see it. What I hear on this Chicago band’s release is a 60’s influence with maybe a teensy bit of 70’s ELO thrown in (especially on "Imagine Pt. 3”). “Dye It Blonde” got kind of mundane about half-way through, but it’s good for a song or two with its radio-friendly melodies. Rebecca Ruth
ATLANTA RHYTHM SECTION
With All Due Respect
WILLY MASON
If the Ocean Gets Rough
Charlie Don't Shake
America Is Our Office EP
RICHARD SWIFT
The Atlantic Ocean
JOHN HIATT
THE OPEN ROAD
Band of Horses
Cease to Begin
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