DIANNE DAVIDSON

PERIGON FULL CIRCLE

2020-09-22

Coming thirty years after her last release Dianne Davidson’s new disc finds her basically starting anew after a long career singing in support of the likes of Linda Ronstadt, B.B. King, Jimmy Buffet and Leon Russell. Supported by a large cast of musicians including not only the typical guitars and rhythm section but numerous horns, keyboards and strings, she works her way through 10 originals and two covers. With a clear, unforced, voice that convincingly conveys both pain and joy as dictated by the lyrics and a whisper to a roar range, Davidson sounds far younger than her sixty plus years. Musically, this set is a mixed bag of blues, folk, ballads and roots rock that explores loss, heartbreak, unrequited desire, the need for familiar guideposts to make sense of ever-changing circumstances and promises of undying support. Highlights include the duet with Ruthie Foster on the buoyant "Subtle Touch", the horn heavy "Solitary", the heartfelt lament to those left behind, "Precious Boys", and "The Island" with its rocking groove recalling Joni Mitchell’s Woodstock in reverse with Davidson wanting to escape rather than get back to a place and time. Interesting from beginning to end, let’s hope that Davidson picks up the pace of her releases lest it be left to the next generation of listeners to discover her talents. SMITTY

review by Mark

More reviews tagged #Blues

  • reviewed 02/2014

    MOLLIE O'BRIEN AND RICH MOORE
    Love Runner

  • reviewed 03/2021

    MARIA MULDAUR WITH TUBA SKINNY
    LET'S GET HAPPY TOGETHER

  • reviewed 05/2008

    TOM PRINCIPATO BAND
    RAISING THE ROOF

  • reviewed 06/2008

    JAMES HUNTER
    THE HARD WAY

  • reviewed 03/2009

    DAVID EGAN
    YOU DON'T KNOW YOUR MIND

  • reviewed 09/2007

    SAMUEL JAMES
    THE RETURN OF SUGAR SMALLHOUSE

Compiled by the WYCE Journalism Club

The opinions expressed in these reviews are those of the individual volunteers that submitted the article and do not necessarily reflect the views of WYCE or GRCMC; nor its staff, donors, or affiliates.