2011-02-20
It’s hard not to compare this to Edward Sharpe and the Magnetic Zeroes. Alexander Ebert, lead singer for the band, wrote and recorded this album during breaks in the Zeroes’ “Up From Below” tour. Using the same subdued, yet intriguing percussion, such as hand claps, alarm bells, breathing, (yes, I wrote breathing), and toe tapping, Alexander emulates the Magnetic Zeroes’ sound. On this self-titled release, however, Alexander did everything himself, even playing all the instruments, and recorded it in his bedroom. Besides the interesting percussion, he played clarinet, Lowery organ, and even taught himself to play violin! I’m a little biased toward this release, since , for me the Magnetic Zeroes’ 2009 release was the best of the year. I had great anticipation to review this release and while I’d say it’s maybe a bit milder than “Up From Below”, I’m not disappointed. Rebecca RuthDave Barnes
What We Want, What We Get
PATTY HURST SHIFTER
Fugitive Glue
THE FAREWELL DRIFTERS
Tomorrow Forever
STEWART FRANCKE
A Familiar Fire
Bump
Incredible Consequences
BEN HARPER AND THE RELENTLESS SEVEN
Live From the Montreal International Jazz Festival
The opinions expressed in these reviews are those of the individual volunteers that submitted the article and do not necessarily reflect the views of WYCE or GRCMC; nor its staff, donors, or affiliates.