Album Reviews

Aloa Input

Anysome

2013-11-13

It's always satisfying and thought-provoking when album art is evocative of the music it represents. The cover of Bavaria based group Aloa Input's debut record Anysome portrays a verdant jungle scene, but the presence of an eyeball lurking through the shrubbery, assorted cacti blooming within the trees, and a bird that resembles a red-breasted robin all provide a subtly surrealistic quality; not the unsettling, mind-bending surrealism like a Dali scene adorned with melting clocks and mutant creatures, but rather one fraught with pointed whimsy like Magritte's "The Treachery of Images." This is an oddly accurate visual to accompany Anysome's varied influences.

Instrumentation is typical for an indie rock trio: analog and digital percussion is laced into the slithery, skating guitar framework and flourishing vocal harmonies are delicately threaded in. But within this soundscape other worldly timbres emerge (most memorably with the marimba droplets on gorgeous track "This Must Be The Age") and distinguish Aloa Input from the overwhelming wave of similar bands in the genre. As their label puts it, Anysome is comprised of "guitars from Cape Town to Portland, beats from Berlin to Chicago, and vocals from NYC to Düsseldorf." Aloa Input's first attempt is a fruitful one, and is all around a legitimately enjoyable listen.

Recommended Tracks: #5 "This Must Be The Age", #9 "Radio", #12 "Someday Morning"

Sigmund Steiger

Quick Links:

all reviews | all rock reviews

More reviews tagged #Rock

reviewed 06/2010
BROKEN SOCIAL SCENE
Forgiveness Rock Record
reviewed 08/2017
Johnny Oskam
In My Shadow
reviewed 08/2016
Whiskey Myers
Mud
reviewed 04/2006
Bill Madden
Gone
reviewed 12/1969
JASON ISBELL AND THE 400 POUND UNIT
JASON ISBELL AND THE 400 POUND UNIT
reviewed 03/2007
UMPHREY'S MCGEE
The Bottom Half

Compiled by the WYCE Journalism Club

The opinions expressed in these reviews are those of the individual volunteers that submitted the article and do not necessarily reflect the views of WYCE or GRCMC; nor its staff, donors, or affiliates.