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Community Media Center
2009-05-11
In what seems to be intended to be an afterthought following his first album, “Ash Wednesday,” Elvis Perkins, in his newest release, “Elvis Perkins in Dearland,” seems to be continuing his exploration of grief and death. Perkins and his very capable band explore those themes from a variety of directions at a wide variety of speeds and with a lot of different instruments. Occasionally experimental and with performances filled with spontaneity, there is nothing boring about this album. The release has interesting production choices and fine musicianship to its credit, and Perkins’ vocal performances are equally impressive.
CATHERINE MACLELLAN
Water in the Ground
MICHAEL LEONHART
The Ballad of Milton Quigley
FEIST
Look At What The Light Did Now
MARTHA BERNER
This Side of Yesterday
YUSUF ISLAAM AKA CAT STEVENS
An Other Cup
Gabrielle Louise
If The Static Clears
The opinions expressed in these reviews are those of the individual volunteers that submitted the article and do not necessarily reflect the views of WYCE or GRCMC; nor its staff, donors, or affiliates.