2011-02-28
Over 30 albums into his career, Bruce Cockburn continues to deliver fresh and provocative perspectives on the world and the human heart, spiced with excellent guitar playing and a splash of exotic sounds from instruments such as bells or gongs. This time, Bruce goes mainly acoustic, choosing not to dress up the numbers very much and the result is a slower, more languid record. That's not all bad, and on songs like "Call Me Rose" (about Richard Nixon being reincarnated as a single young woman with kids in the projects), the life-reflective piece "Iris of the World" and "Five Fifty-One" (driving at the break of dawn) are great additions to the Cockburn legacy and the instrumentals ring. I wouldn't rank this as one of Bruce's best, but this guy sets such a high bar that his "average" outings outshine most of his peers. 02/11 MJVD F-ContemporaryDAVE ALVIN AND THE GUILTY WOMEN
DAVE ALVIN AND THE GUILTY WOMEN
HARLEM PARLOR MUSIC CLUB
SALT OF THE EARTH
Willy Mason
Where Humans Eat
BRUCE COCKBURN
Small Source of Comfort
David Crosby
Lighthouse
TOKYO ROSENTHAL
WHO WAS THAT MAN ?
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