2011-03-14
Smith Westerns made their first album on the computer at home, in Chicago. By all accounts, the result was decidedly garage-y. For Smith Westerns’ second album, “Dye It Blonde”, they were backed by Fat Possum Records, they used a professional studio, and they had a professional producer in Chris Coady (Yeah, Yeah, Yeahs and TV on the Radio). All this boils down to a more slickly layered production. The thing I saw repeated over and over in my research on this band was a comparison to TRex. I don’t see it. What I hear on this Chicago band’s release is a 60’s influence with maybe a teensy bit of 70’s ELO thrown in (especially on "Imagine Pt. 3”). “Dye It Blonde” got kind of mundane about half-way through, but it’s good for a song or two with its radio-friendly melodies. Rebecca RuthAndrew Bird
The Mysterious Production of Eggs
Clem Snide
End of Love
CROWDED HOUSE
Intriguer
ATLANTA RHYTHM SECTION
With All Due Respect
The Social Animals
Formative Years
THE UNLIKELY CANDIDATES
Follow My Feet EP
The opinions expressed in these reviews are those of the individual volunteers that submitted the article and do not necessarily reflect the views of WYCE or GRCMC; nor its staff, donors, or affiliates.