Mary Chapin Carpenter

The Calling

2007-04-16

When MCC hit the country-rock scene big time with “Down at the Twist and Shout” and the smash follow-up CD Come On, Come On, her observant lyrics analyzed the human heart with accuracy and a touch of wit. Since then, her songs have turned more toward the Big Questions, and in my opinion, lost some of the ability to capture the real moments of life and relationships. Surprisingly, the opposite is true on The Calling. The most interesting cuts are not about the heart, but about our country: “Houston” (Hurricane Katrina), “On with the Song” (the Dixie Chicks’ political troubles) and “Why Shouldn’t We” (on believing the nation can do better). The title track has some muscle, too. Maybe MCC’s turning a corner, from a musical Dear Abby to a lyrical editorial page columnist. We’ll see. 03/07 MJVD

More reviews tagged #Folk

  • reviewed 04/2007

    Todd Snider
    Peace, Love and Anarchy (Rarities, B-Sides and Demos, Vol. 1)

  • reviewed 05/2016

    Evie Ladin Band
    Jump The Fire

  • reviewed 07/2006

    Guy Clark
    Workbench Songs

  • reviewed 01/2013

    JOHN DRISKELL HOPKINS AND BALSAM RANGE
    Daylight

  • reviewed 04/2006

    The Eighteenth Day of May
    The Eighteenth Day of May

  • reviewed 01/2011

    LYNN MILES
    FALL FOR BEAUTY

Compiled by the WYCE Journalism Club

The opinions expressed in these reviews are those of the individual volunteers that submitted the article and do not necessarily reflect the views of WYCE or GRCMC; nor its staff, donors, or affiliates.