2007-05-28
This album will be lauded as the return to form. Insisting that this release gets back to the band's slow core roots from earlier albums. Granted the band has gone back to a slower tempo, these songs seem to have a surge of brightness contrasting their previous slow core material. This album teeters a line between Howe Gelb's last efforts under the name Giant Sand and the fresh face political pleas for change a la Yo La Tengo's last 2 records. The Drums on this album are almost entirely performed by a drum machine, but this almost allows Low to get into some more ambient spaces than they had before, still subdued, but very alive. Think Postal Service on really really good cognac or ludes or both. Low is comprised of Alan Sparhawk and Mimi Parker. On this album they harmonize and shift moods reminding one of the later works of the Super Furry Animals, and this makes sense as it was produced by Dave Fridmann. Fridmann was responsible for what many now call Dream Pop (Flaming Lips, Mercury Rev) This is a definite step in the right direction for Low. Very solid effort. Fans of The Sea and The Cake and Luna or any of the above mentioned bands will enjoy Drums and Guns. Standout Tracks : 2.Belarus, 6. Always Fade, 8. Hatchet, 13. Violent Past. No FCC issues. – OliverBELL X1
Blue Lights on the Runway
JACKIE GREENE
Giving Up the Ghost
The Delta Riggs
Active Galactic
THE HOOTERS
TIME STAND STILL
POTATOE BABIES
The ‘Festival’ Compilation (a.k.a. the Masturbation Compilation)
Keller Williams with Moseley, Droll & Sipe
Live
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