2007-04-16
When MCC hit the country-rock scene big time with “Down at the Twist and Shout” and the smash follow-up CD Come On, Come On, her observant lyrics analyzed the human heart with accuracy and a touch of wit. Since then, her songs have turned more toward the Big Questions, and in my opinion, lost some of the ability to capture the real moments of life and relationships. Surprisingly, the opposite is true on The Calling. The most interesting cuts are not about the heart, but about our country: “Houston” (Hurricane Katrina), “On with the Song” (the Dixie Chicks’ political troubles) and “Why Shouldn’t We” (on believing the nation can do better). The title track has some muscle, too. Maybe MCC’s turning a corner, from a musical Dear Abby to a lyrical editorial page columnist. We’ll see. 03/07 MJVD
JENNY LEWIS with THE WATSON TWINS
Rabbit Fur Coat
Brett Martin Hoerner
Somewhere in Sonoma
KIERAN KANE, KEVIN WELCH AND FATS KAPLIN
Kane Welch Kaplin
Amos Garrett
Acoustic Album
CHRIS KASPER
Chasing another Sundown
LUCINDA WILLIAMS
BLESSED
The opinions expressed in these reviews are those of the individual volunteers that submitted the article and do not necessarily reflect the views of WYCE or GRCMC; nor its staff, donors, or affiliates.