 
	2008-05-15
On her third release as El Perro del Mar ("the sea dog"), Swedish singer Sarah Assbring sounds so completely bummed out, even more than her last album. This time the music leaves its ecstasy to uplifting lyrics and lets the vocals' agony seep into starker, sadder arrangements. The result is an album that's more conceptually unified than its predecessor and has its share of intimately compelling songs, but could also stand to give its misery a little more company. El Perro Del Mar, whose lyrics do not go far past the title of the songs themselves, has this enchanting way of making short melodies that get stuck in your head and you find yourself whistling along. Oboe, french horn, trumpet and sitar saved this record, coming in at times where I was about to dismiss a song. There aren’t many tracks that stick out amongst the rest. They are all pretty, slow and dream-like. Reviewed By LaRae WYCE Programmer 
												
			CENTRO-MATIC
Take Pride in Your Long Odds
 
												
			Glen Philliips
Mr. Lemons
 
												
			BEN HARPER AND THE RELENTLESS SEVEN
Live From the Montreal International Jazz Festival
 
												
			THE IGUANAS – If You Should Ever Fall on Hard Times
 
												
			Overlake
Fall
 
												
			Noam Weinstein
On Waves
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