2009-05-11
In what seems to be intended to be an afterthought following his first album, “Ash Wednesday,” Elvis Perkins, in his newest release, “Elvis Perkins in Dearland,” seems to be continuing his exploration of grief and death. Perkins and his very capable band explore those themes from a variety of directions at a wide variety of speeds and with a lot of different instruments. Occasionally experimental and with performances filled with spontaneity, there is nothing boring about this album. The release has interesting production choices and fine musicianship to its credit, and Perkins’ vocal performances are equally impressive.
JOE FLETCHER AND THE WRONG REASONS
White Lighter
JASON ROSEBOOM
Kalamazoo
JOY KILLS SORROW
This Unknown Science
Well-Known Strangers
ALIGNED
GORD DOWNIE AND THE COUNTRY MIRACLES
The Grand Bounce
KRISTY HANSON
Into the Quiet
The opinions expressed in these reviews are those of the individual volunteers that submitted the article and do not necessarily reflect the views of WYCE or GRCMC; nor its staff, donors, or affiliates.