2011-03-14
Smith Westerns made their first album on the computer at home, in Chicago. By all accounts, the result was decidedly garage-y. For Smith Westerns’ second album, “Dye It Blonde”, they were backed by Fat Possum Records, they used a professional studio, and they had a professional producer in Chris Coady (Yeah, Yeah, Yeahs and TV on the Radio). All this boils down to a more slickly layered production. The thing I saw repeated over and over in my research on this band was a comparison to TRex. I don’t see it. What I hear on this Chicago band’s release is a 60’s influence with maybe a teensy bit of 70’s ELO thrown in (especially on "Imagine Pt. 3”). “Dye It Blonde” got kind of mundane about half-way through, but it’s good for a song or two with its radio-friendly melodies. Rebecca RuthTHE SOUL OF JOHN BLACK
The Good Girl Blues
k.d. lang
Hymns of the 49th Parallel
EL PERRO DEL MAR
Pale Fire
The Official Thieves
Hello EP
SONNY LANDRETH
LEVEE TOWN {EXPANDED EDITION}
THE BLASTERS
FUN ON A SATURDAY NIGHT
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