2008-02-16
Argentinean composer Fernando Otero has been actively recording for over a decade. Crossing many musical boundaries, this album features references to classical, pop and, of course, jazz. The songs range from solo compositions, such as “Preludio 19,” to a spattering of trios highlighting cello accompaniment, to a full 25-piece orchestra. Otero blends Latin rhythms with classical elements in a syncopated jump of exploration. Vague references here to the jazz style of Thelonious Monk with odd time signatures and cadences. If you’re interested in trying something a little fringe, this might be worth checking out. -- Daniel J. GraeberDANIEL SMITH
Bebop Bassoon
Cilantro Boombox
Shine
Spencer A. Barefield
After The End
Geoff Muldaur's Futuristic Ensemble
Private Astronomy - A Vision of the Music of Bix Beiderbecke
HIROMI’S SONICBOOM
Time Control
KAHIL EL’ZABAR’S INFINITY ORCHESTRA
Transmigration
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