2008-02-16
Argentinean composer Fernando Otero has been actively recording for over a decade. Crossing many musical boundaries, this album features references to classical, pop and, of course, jazz. The songs range from solo compositions, such as “Preludio 19,” to a spattering of trios highlighting cello accompaniment, to a full 25-piece orchestra. Otero blends Latin rhythms with classical elements in a syncopated jump of exploration. Vague references here to the jazz style of Thelonious Monk with odd time signatures and cadences. If you’re interested in trying something a little fringe, this might be worth checking out. -- Daniel J. GraeberAzar Lawrence & Al Mclean
Frontiers
Brandi Disterheft
Blue Canvas
Pete Kennedy
Tone, Twang and Taste
DIGITAL PRIMITIVES
Hum, Crackle, and Pop
Spencer A. Barefield
After The End
The U.S. Army Blues
Live At The Blues Alley
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