2011-06-14
“Pearl” is the fourth release from San Francisco sextet, Gaucho. You wouldn’t know listening to this that Gaucho is a contemporary band, performing original works. (Except for two covers... “Avalon” by Al Jolson and “Lover Come Back To Me” by Hammerstein/Romberg.) Heavily influenced by Django Reinhart, Gaucho makes gypsy jazz that sounds as if it came right out of a 1930’s Parisian club. More than half the songs on “Pearl” are instrumentals and normally that would suit me just fine; but the vocals are what sets this band apart. Guest vocalist, Tamar Korn, has a voice that’s made for this music. When she’s not singing lyrics, she often mimics the muted trumpet (“Little Sweetie” “Sing On”). Her voice is so unusual that it’s sometimes difficult to distinguish between voice and instrument. (Check out her theramin-like vocals on “Avalon”.) Aside from the vocals, the rest of the band is tight, but relaxed, giving “Pearl” an overall atmosphere of good times. Rebecca RuthSoweto Kinch
A Life in the Day of B19: Tales of the Tower Block.
BONERAMA
HARD TIMES
Johanna Sillanpaa
From This Side
INARA GEORGE WITH VAN DYKE PARKS
An Invitation
Bela Fleck and Edgar Meyer
Music for Two
Nora Jones
Not Too Late
The opinions expressed in these reviews are those of the individual volunteers that submitted the article and do not necessarily reflect the views of WYCE or GRCMC; nor its staff, donors, or affiliates.