2006-01-09
Rich soundscapes, almost like a soundtrack to a movie existing only in the composer's head, (or the listener's) populate this record. Steel guitar is out front creating most of the texture, but there are other things going on here, (check out guest list), piano, human voice here and there, percussion, etc. Definite influence is evident of having spent time in Mexico as well as having recorded this there. This will sound more familiar to fans of Lanois' earlier work than to those whose initial contact with him was Shine, from a year or so ago. This isn't the most radio friendly release, but late-nighters and those looking to end a set with something relaxed will find plenty on here. -Eric GreenJennifer O’Connor
Over The Mountain, Across The Valley & Back To The Stars
A. SINCLAIR
Pretty Girls EP
Glen Phillips
Winter Pays for Summer
MATTHEW RYAN
From a Late Night High Rise in Paris
TOM VEK
We Have Sound
PUNCHING BEE MUSIC
Volume One
The opinions expressed in these reviews are those of the individual volunteers that submitted the article and do not necessarily reflect the views of WYCE or GRCMC; nor its staff, donors, or affiliates.