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Community Media Center
2009-05-11
In what seems to be intended to be an afterthought following his first album, “Ash Wednesday,” Elvis Perkins, in his newest release, “Elvis Perkins in Dearland,” seems to be continuing his exploration of grief and death. Perkins and his very capable band explore those themes from a variety of directions at a wide variety of speeds and with a lot of different instruments. Occasionally experimental and with performances filled with spontaneity, there is nothing boring about this album. The release has interesting production choices and fine musicianship to its credit, and Perkins’ vocal performances are equally impressive.
CHRISTINE LAVIN
Happydance of the Xenophobe
TRUCKSTOP HONEYMOON
THE MADNESS OF HAPPINESS
TOM WAITS
Orphans: Brawlers, Bawlers, and Bastards
K. S. RHOADS
The Wilderness
Dalton Domino
Corners
Jefferson Ross
Live At Hillbilly Haiku
The opinions expressed in these reviews are those of the individual volunteers that submitted the article and do not necessarily reflect the views of WYCE or GRCMC; nor its staff, donors, or affiliates.