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Community Media Center
2009-05-11
In what seems to be intended to be an afterthought following his first album, “Ash Wednesday,” Elvis Perkins, in his newest release, “Elvis Perkins in Dearland,” seems to be continuing his exploration of grief and death. Perkins and his very capable band explore those themes from a variety of directions at a wide variety of speeds and with a lot of different instruments. Occasionally experimental and with performances filled with spontaneity, there is nothing boring about this album. The release has interesting production choices and fine musicianship to its credit, and Perkins’ vocal performances are equally impressive.
Punch Brothers
Punch
KATIE MELUA
Pictures
STING
Songs from the Labyrinth
David Berkeley
After the Wrecking Ships
BOOKA AND THE FLAMING GECKOS
The Not So Meaningful Songs in the Life of Jeremy Fink
BILL CALLAHAN
Woke on a Whaleheart
The opinions expressed in these reviews are those of the individual volunteers that submitted the article and do not necessarily reflect the views of WYCE or GRCMC; nor its staff, donors, or affiliates.