2015-05-15
Tomo Nakayama’s first solo release, Fog On The Lens, has a familiar and foreign sound. This easy-listening, piano-driven record features ten tracks written and performed solely by the seattle-based singer-songwriter. After nearly a decade of fronting the chamber pop band Grand Hallway, Nakayama’s solo debut is delicate, raw, and beautiful. A heavy use of falsetto and frequent harmonies drive the tone of the songs, with unexpected synths and an array of percussion. A very calming listen.
review by Ben
Rachel Price
Home
PUTNAM SMITH
We Could Be Beekeepers
SAMANTHA CRAIN
YVETTE LANDRY
Should Have Known
VARIOUS ARTISTS
Keep the Light Alive: Celebrating the Music of Lowen and Navarro
Watching for Foxes
Until Winter Comes (EP)
The opinions expressed in these reviews are those of the individual volunteers that submitted the article and do not necessarily reflect the views of WYCE or GRCMC; nor its staff, donors, or affiliates.