2009-05-11
In what seems to be intended to be an afterthought following his first album, “Ash Wednesday,” Elvis Perkins, in his newest release, “Elvis Perkins in Dearland,” seems to be continuing his exploration of grief and death. Perkins and his very capable band explore those themes from a variety of directions at a wide variety of speeds and with a lot of different instruments. Occasionally experimental and with performances filled with spontaneity, there is nothing boring about this album. The release has interesting production choices and fine musicianship to its credit, and Perkins’ vocal performances are equally impressive.The Eighteenth Day of May
The Eighteenth Day of May
TRUCKSTOP HONEYMOON
THE MADNESS OF HAPPINESS
CATIE CURTIS
Long Night Moon
James McMurtry
Childish Things
HEM
No Word From Tom
DRIFTWOOD FIRE
How to Untangle a Heartache
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